So Who Exactly Are the Guardians of the Galaxy?
Glad you asked.
In 2004, Marvel was in the midst of a giant crossover event titled Civil War, and while everyone was distracted with that, a handful of restless creators began to carve out their own corner of the comic publisher’s universe. “A lot of these characters were sort of laying around,” says one former member of the editorial team involved in their resuscitation. “We thought, ‘No one really seems to have a great deal of affection for them, so maybe we can push the Marvel science-fiction universe a little further.’” Whereas a story that involved A-listers like Wolverine or Spider-Man required bureaucratic hurdles, Groot and Rocket Raccoon guaranteed creative leeway. Their efforts culminated a couple of years later, when the characters landed their own big crossover event, called “Annihilation.” It was a breakout hit, and by 2008, the team was formally gathered as the Guardians of the Galaxy. (Even that name was something of a leftover, having once belonged to an earlier abandoned group.)
Keith Giffen, who co-created Rocket Raccoon in the seventies and then helped reintroduce him in the aughts, says the tone of the comic is a natural match for Hollywood. “It’s the lighthearted, fun, quip-filled, bouncy stuff that fits in pretty well with all the stuff they’re already doing, and going out into space will be a nice change of setting.” And although it would seem a safer bet for Marvel to exploit slightly more established characters—Doctor Strange, say, or Black Panther, or even Iron Fist—the lack of expectation that liberated the creators of the Guardians of the Galaxy comic book may be a similar boon for the filmmakers. “Everyone has a firm idea of who and what Spider-Man is,” says the ex-staffer. “If you stray too far from that, people will say, ‘That’s not the Spider-Man that I know,’ and they’re disappointed. Whereas if you throw a bunch of characters like Drax on a movie screen, there are relatively few people who have some idea in their head.”
And it’s easy to see why. Simply put, these characters are weird. Here’s a quick Guardians guide.
In the late fifties, Marvel Comics had fallen on hard times and laid off nearly its entire staff. In the months before 1961’s The Fantastic Four marked the rebirth of the Marvel superhero, Stan Lee and Jack Kirby turned out a parade of bizarre aliens and monsters that menaced American cities, with names like Monstrom, Krang, and Droom. And then there was Groot, the Monarch of Planet X, a walking and talking tree that consumed fences, cabinets, and barrels. Or, as one member of the panicking populace exclaimed, “A creature of wood, who feeds on wood!” He was primed to become the overlord of all the timber in the galaxy, had a shrewd scientist not thought to breed termites and let them loose on the barky beast. Over the next 45 years, Groot appeared exactly twice.
Drax the Destroyer
After the evil alien Thanos — a.k.a. “The Mad Titan,” a death-obsessed, craggy-faced bruiser from one of Saturn’s moons — thought that pipe-smoking, saxophone-playing real-estate agent Arthur Douglas had blown his cover, he aimed a death blast at Douglas’s car, killing him and his wife. Shortly thereafter, Thanos’s estranged father merged Douglas’s spirit with a bunch of earthen rubble to create the green, caped, and very powerful Drax the Destroyer, whose all-consuming mission was to destroy Thanos. Writer-artist Jim Starlin introduced Drax in the pages of Iron Man in 1973; within a month, Stan Lee had him removed from the title. In 1982, Marvel’s editor-in-chief Jim Shooter wrote an issue of The Avengers in which Drax was killed. He remained dead for the rest of the decade, until Starlin revived him in the early nineties. Giffen, who dusted Drax off again in 2004, says that although he increased the character’s intelligence, he remains “too macho for the room,” noting, “I just turned him from a green imbecile into a green douchebag.”
After Jim Starlin was booted from his Iron Man gig, he continued to chronicle the dastardly actions of Thanos in both Captain Marvel and Warlock. By this time, Starlin was having problems with editorial constrictions, and the 1975story in which the alien assassin Gamora debuted was, in part, a metaphor about Marvel Comics as a purveyor of conveyer-belt junk. Green-skinned and decked out in a fishnet unitard cut down to the navel, Gamora wielded a dagger and called herself “the Deadliest Woman in the Whole Galaxy,” but when she tried to slay her adoptive father Thanos, he killed her instead. She was out of the picture for nearly a decade and a half, until — as he had done for Drax — Starlin raised her from the dead.
Test pilot Hal Jordan became the Green Lantern when a dying alien bestowed a powerful ring upon him. Astronaut Peter Quill, on the other hand, achieved the Star-Lord power a little more dishonestly — by taking out his compatriots with a rifle, hijacking a rocketship, and flying off to visit the godlike Master of the Sun. Steve Englehart, who created the character in 1976, intended to write a series of adventures for the hero — a love story on Venus, for instance, and a war story on Mercury. “I deliberately made him a complete asshole,” Englehart says, “with the idea that I was going to write twelve stories about him as he worked his way through the galaxy, and by the end of it he would have become this great hero.” But Englehart, citing editorial interference, quit Marvel Comics soon after the first issue was published. X-Men writer Chris Claremont experimented with a less prickly version of the character before abandoning it completely in 1981, and 23 years passed before he was revived again. However, the character’s very name still carries the seeds of Englehart’s sharp humor. “Peter Quill — Peter as a reference to a dick, and Quill as a reference to a dick,” he explains. “I wanted him to be completely unlikable.”
Originally named Rocky Raccoon, this gun-toting alien from “somewhere near the black holes of Sirius Major” debuted in a 1976 short story by Bill Mantlo and Keith Giffen in the back of Marvel Preview, a black-and-white magazine-size comic. The legal department was skittish about the prospects of a character named after a Beatles song, so five years later, when he finally returned for a guest appearance in The Incredible Hulk, he was given the sobriquet Rocket Raccoon. Writer Bill Mantlo received considerable amounts of hate mail for that issue (“Are you all regressing to your childhoods?” wrote five enraged University of Maine students), but in the wake of the Teenage Mutant Ninja Turtles phenomenon in 1984, a four-issue Rocket Raccoon miniseries was green-lit. It was hardly a best seller; the character popped up exactly four times over the next two decades.
This appeared in different form on New York magazine’s Vulture blog in 2012. Marvel Comics: The Untold Story is on sale now.
You have the illusion of “choice” at your local cinema this week. Which poorly reviewed release will appeal to you most? You could see Diaz and Segel’s Sex Tape and wonder why Hollywood is so perplexed by the cloud, but why would you do that? Don’t be self-abusive, we’re here to help. This is a safe space.
Oh, God, no, you’ve got a ticket to The Purge: Anarchy, too? Sure, that’s your best choice for a wide release this week, but RT still summarizes it as “never as smart or resonant as it tries to be.”
If you’ve got kids, we guess you could go see Planes: Fire and Rescue, the sequel to not-even-a-year-old Planes. RT calls it “flat and formulaic,” though, and shouldn’t we be teaching our children to aspire for more? Dane Cook stars in it, for God’s sake. Pop culture was done with him years ago. The final wide release is Persecuted, which does not have a single positive review. Ban wide releases.
The real take away from this article is that you don’t have to go to the theater this weekend to see a good movie, because there’s so much available on demand or streaming. In fact, if you want to see a good movie, don’t go to the theater, because the films releasing this weekend are all shit.
True but I’m seeking out ‘Boyhood’ nonetheless
Despite pending cuts for pensioners, as well as widespread poverty, sobering health and violence statistics and a declining population, Detroiters have expressed cautious optimism about recent changes, which include greater investments in development, promises to improve city services and an ambitious plan to eliminate urban blight.
The largest municipal bankruptcy in U.S. history has also stirred up interest in success stories. Though no one person will fix Detroit, some people have received well-deserved attention for their work to improve the city. A New York Times article last month highlighted hot spots in the Corktown neighborhood, and a story in the same paper earlier this year heralded small businesses.
Stories that claim entrepreneurs are building, revitalizing and even saving Detroit focus primarily on white professionals, often younger and new transplants to the city, a trend that’s palpable and frustrating for locals. When journalists and readers criticized the Times for leaving blacks out of its Corktown story, the paper’s public editor addressed the lack of diversity in a follow-up, and the writer said she regretted not including a black-owned business. (A more recent Times story takes a wider-ranging view.)
It’s not difficult to find a black business owner to speak with, though. There are more than 32,000 in the city, according to U.S. Census Bureau figures from 2007. Many, particularly those who have kept their businesses going on shoestring budgets, feel excluded from conversations about Detroit’s revival and overlooked when it comes to getting access to funds and resources.
"I think, for the most part, black-owned businesses are not getting a piece of the pie," bookstore owner Janet Jones told The Huffington Post. "What about people who have been doing the hard work of living and working and having business in Detroit for the last 20 years?"
Despite difficulties, many business owners have had their doors open for decades, something local developer George Stewart, 77, traces back to historical segregation that had white business owners refusing service to black customers.
"During the good times and the bad times, black-owned businesses have been around, primarily serving their community," said Stewart, who moved to Detroit from Baton Rouge, Louisiana in the 1960s. Such businesses, Stewart said, have long been "circulating resources, building wealth [and] opening doors to other opportunities, such as higher education and lifestyle."
Below are just a few of the successful black business owners contributing to Detroit’s resurgence, including young entrepreneurs newly investing in the city and locals who have stuck with it for years.
Hamilton Anderson Associates has been designing Detroit’s future for decades.
After working for others, Rainy Hamilton started his own company out of his home 20 years ago with co-founder Kent Anderson. Since then, the 50-person firm (with 20 percent minority staff) has grown to include offices in Las Vegas, New Orleans and Detroit’s Harmonie Park, and has been involved with a range of projects that have contributed to Detroit’s development, including work on schools, community centers, the MGM Grand casino and a light rail line now under construction, as well as Detroit Future City, a book-length urban planning document released last year.
Hamilton took cues from his dad, a Ford employee with a landscaping business on the side.
"My first job was working for him when I was barely big enough to handle a pair of gardening shears," Hamilton said. "Being an entrepreneur is somewhat in my spirit." Hamilton also opened a hobby shop in a nearby suburb several years ago.Despite his relative success, Hamilton said he’s experienced challenges getting work as a black architect. He suggested implementing policy in Detroit that would help long-standing businesses within city limits.
Textures by Nefertiti nurtures women’s outer beauty — as well as their minds and spirits.The historic Cass Corridor neighborhood in greater Midtown is now a development hot spot, but when Nefertiti Harris started her business there 13 years ago, she “was literally chasing prostitutes off the street corner.”
Harris first called her space a “non-salon,” because of her focus on natural hair and her emphasis on caring for women’s inner selves.
"If a woman wants to make a change and comes into the salon," she said, "it’s usually not just about the hair, but about really getting free in her life."Last year, Harris also opened Tarot and Tea in West Village, where she focuses on her customers’ inner lives with spiritual readings, a cafe and a small boutique.
Detroit Vegan Soul helps Detroiters expand their horizons with a healthy spin on comfort food.Erika Boyd and Kirsten Ussery-Boyd both left careers in other fields to open a restaurant in West Village last year, serving soul food classics like collard greens, barbecue and mac-n-cheese — all vegan. They took the leap after watching loved ones and the broader African-American community struggle with diet-related illnesses. Together they crafted a menu that’s both delicious and healthy.
Ali Sandifer Studio brings its modern style to Detroit’s design community.
Husband-and-wife team Andre Sandifer and Abir Ali are the founders of Ali Sandifer Studio in Detroit’s Russell Industrial Center. There, they make modern furniture with cleverly camouflaged storage compartments out of sustainably harvested domestic hardwoods.Sandifer told HuffPost that there are few minority-owned furniture design studios in the country, and that his and Ali’s presence in Detroit contributes to a larger legacy of design talent in the city.
Thrift on the Avenue sells style with a mission.
R. Christopher Prater and TaNisha Prater, who recently moved back to their native Detroit from Atlanta, opened their boutique in Midtown this year with partner Jessica Glen. They sell secondhand women’s clothing — TaNisha is a third-generation retailer, and her husband has always been a thrift shopper, a necessity in his family of 13 siblings.
The Praters say style is a secondary priority for the shop, which donates 30 percent of its proceeds to Coalition of Temporary Shelter, a nearby residence for homeless Detroiters. Thrift on the Avenue has started a recurring event to give full makeovers to women at COTS and raise awareness of the circumstances that lead to homelessness.“If we can help people transition from homeless shelters and put them in a position where they can land a job and provide for their families, that’s worth way more than the couple bucks we make from a pair of jeans,” R. Christopher said.
Sweet Potato Sensations turned a unique family recipe into a brick-and-mortar bakery.
Sisters Jennifer and Charice “Espy” Thomas run Sweet Potato Sensations with their parents Jeff and Cassandra, who started the business in 1987. Their bakery in the Redford neighborhood takes the sweet potato to new heights, using it to make pies, ice cream, cheesecake, waffles and more. Cassandra’s recipe for sweet potato cookies quickly became a favorite among friends and eventually led to the cafe staffed with local residents.
Hair Wars turns one of Detroit’s big businesses into an art form.
Back in the ’80s, David Humphries was a club promoter looking to add a twist to Detroit nightlife. On a whim, he started Hair Wars as a place for stylists to show off their work.
"I soon realized I had tapped into the biggest black entrepreneurial business in America," Humphries said.Decades later, the annual show draws big crowds and features some of the most outlandish and exciting coiffures imaginable — many of them more art than hair.
Detroit Dirt is creating a sustainable future for the city from the ground up.
Not many people are passionate about the manure of exotic herbivores, but that’s what Pashon Murray collects from the giraffes, rhinos and zebras at the Detroit Zoo as part of her larger plan for sustainable urban farming and gardening. Detroit Dirt sells compost that Murray makes in a Corktown field with waste from local restaurants, breweries and company cafeterias.
After experimenting with soil blends, Murray plans to expand her business and hire several people next year.“As a black woman, I feel like I’m obligated for our youth and community to set a standard,” she said. “I would like the black community to get more involved in agriculture … Sustainability is not a black and white thing. It’s an all-inclusive thing.”
Source Booksellers fosters a literary community.
Janet Jones started selling books in 1989, first as a small vendor at events, then as part of a collective. Last year, she opened a stand-alone shop in Midtown. Her curated selection of nonfiction books on history, culture and spirituality, among other topics, are chosen with an eye toward educating people and enhancing their lives. So are the events and classes held in the bookstore’s community space.The Social Club Grooming Company brings sustainability and inclusiveness to the barbershop.
Sebastian Jackson’s first three business plans were rejected, but in 2012, he and his wife Gabrielle eventually succeeded in opening the Social Club Grooming Company, built with reclaimed lumber from blighted Detroit homes, on Wayne State University’s campus. They’ve partnered with a local park to build a greener city. Already, clippings of cut hair have been used as fertilizer for 200 new trees.
While Jackson takes pride in the diversity of both his staff and his clientele, he notes that barbershops have historically served as a black community hub, and aims to recreate that experience for all Social Club customers.“We need to create and support more businesses that cater to the predominant Detroit experience,” he said.
The Woodward Garden Block Development revitalized a Detroit block without wiping out its history.
George Stewart and his partner Michael Byrd have worked since 2000 to transform a once-dilapidated block of Woodward Avenue. Today, the $53 million Midtown development includes office space, apartments, parking, a coffee shop, a restaurant and the Garden Theater, restored from a century-old movie palace.“It took five times longer than any other project of its kind,” Stewart said. “When we first started, doing business in Detroit was not easy … We had to have a lot of patience and be creative in how we acquired resources to fund our dream.”
Savvy Chic serves up Parisian style to Detroiters.
Eastern Market is now known for its shops, galleries and farmers market, but when Karen Brown opened her boutique, her street was known more for its meat wholesalers. Brown never wrote a business plan, but she has kept Savvy Chic open for 14 years, selling home goods, antiques and clothing. Entrepreneurship runs in the family: Brown’s mother has owned a flower shop in northwest Detroit since the 1980s.
The N’Namdi Center for Contemporary Art sustains Detroit’s creative legacy and builds momentum for the future.After running other galleries, George N’Namdi opened the nonprofit N’Namdi Center for Contemporary Art in 2010 in the Sugar Hill Arts district. The Center includes exhibition spaces, indoor and outdoor performance areas, a gift shop and a separate vegetarian restaurant. N’Namdi showcases Detroit artists, aiming to propel them to national recognition, and supports other local galleries.N’Namdi said it’s important for Detroit’s development to occur organically, rather than at the cost of “sanitizing” the city.”I think we have to make sure we do not lose the soul of Detroit or that Detroit spirit,” he said. “People can move here because of the inexpensive real estate, but they stay because of the soul.”
My graphic novel action comedy Tainted Love (www.taintedlovemovie.com) is eligible for a 2014 Streamy Awards Fan Nomination in the following categories:
-Best Actor in a Comedy - Orlando Jones
-Best Actress in a Comedy - Deanna Russo
-Best Comedy Series - Tainted Love
-Best Action/Sci-Fi Series - Tainted Love
-Best Animated Series - Tainted Love
Please consider voting in one or all of the categories at the link before July 27th.
Just don’t procrastinate until the last minute or else you’ll be all like —
And I’ll be all like —
And the other people whose fans did vote on time will be talking all kinds of smack while they’re all like —
So please do the damn thing.
I humbly remain,
The Reverend Doctor Trollando Fredrick Jones III
BLACK MARKET #1 // FRANK J. BARBIERE // VICTOR SANTOS // JULY 16TH // BOOM! STUDIOS
that’s the face of someone who just shit themselves
I love this because he thought giving her to a barbarian would break her and make her usable and compliant but it just turned her into his worst nightmare.
Cassy Cain! Inspired by the new Batgirl relaunch! Comes with clip-on hoodie! xD